amodomioamsterdam

study-on-home

2009-09-10T00:57:00.005+02:00

ibu bhumi

2009-06-17T10:26:00.015+02:00

documentation of video-dance performance Ibu Bhumi
Netherlands tour 2009
Indonesian dancers:
etty, bayu, benny

homeyness

2009-06-16T01:34:00.027+02:00

...

ibu bhumi performance

2009-03-18T11:05:00.002+01:00

>

...

this is pure people in indonesia

2009-03-17T00:17:00.020+01:00

INDONESIA

2009-03-17T00:15:00.001+01:00

2008-12-04T02:25:00.004+01:00

I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel s I feel I feel I feel I feel I feel I feel I feel I feel I feeelI feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel I feel i feel I eel Fell I fell ifeel I feel I feel I feel I feel I feel I feel I fell I feel I feel Ifeel I feel I feel I feel I feel I feel I feel I feel I feel

2008-12-01T23:36:00.001+01:00

Amsterdammer

2008-04-01T12:06:00.005+02:00

...

gotitas

2008-02-26T09:44:00.007+01:00

gotitas congeladas en un refrigerador temporal

Unfolding

2008-02-21T11:19:00.018+01:00

Unfolding
Dance-video performance for Pindakaas Festival
Den Bosch, Netherlands

Coreography / Gerard Mosterd
Dance / Wendel Spier
Live Video / Christian Chierego

16.02.2008

...

performing islands

2008-02-01T13:15:00.001+01:00

live performance at rotterdam film festival party
chierego & crew

PERFORMING ISLANDS

featuring

:

m.eugenia demeglio ( italy )
efrat levy ( israel )
eleonora zdebiak ( poland )
csilla nagy ( hungary )

dj federico giraldo ( colombia )
vj christian chierego ( chile )

every.when / santiago chile

2008-01-09T18:13:00.000+01:00

performers

2007-10-09T16:19:00.001+02:00

tilburg. october 6th. video, flash and painting
aleksandra, david and chris

...

pecha kucha

2007-10-09T15:23:00.001+02:00

pecha kucha is a japanese presentation format
it means that the speaker has 20 slides and 20 seconds to talk about each one.
I did it last week in rotterdam

http://www.pechakucha.nl/rotterdam/0-archive/arch-16.html

...

we are invisible

2007-10-08T18:12:00.001+02:00

...

master

2007-09-19T17:49:00.001+02:00

every.when / amsterdam

2007-07-05T12:19:00.001+02:00

small preview of personal adventure

My experience of every.when

By Elte Hartland

I got to know Chris Chierego at the start of this last year at the HKU. We worked together on the Crossing Border project, which later became “Wildgroei”. During the project I was impressed by Chris’ ability to create video which seemed very “internal” in atmosphere. By this I mean that the images and movements seemed to come from, and appeal to, the subconscious. Knowing this, I was very curious about how Chris had tackled the subject of dreams.

Stepping into the large, half-lit space where the performance took place, I first noticed the tiled floor and walls, all bare and cracked. Next to the entrance was a long table with VJ and DJ equipment. Chris and his co-performers stood behind the equipment, apparently setting up the show. I was there with a group of fellow students and several other people I didn’t know, about twenty people in all. The room was easily big enough for it not to get crowded. The spectators gravitated towards a chrome half-sphere on the floor, between the table and the center of the room. The half-sphere had red glowing bulbs around it, so maybe that is what drew us. In the center of the room a curtain of circular mirrors hung down, each mirror about a hand across. Several beamers and tall, slim speakers were arranged around the room. The beamers cast a pale blue light on everything, washing out color and depth.

For the performance I must apologize that I can’t remember the use of sound very clearly. As an animator, I am a visual person often taking sound for granted. This could be taken as a compliment to the sound design, as I at least did not notice as an annoyance. Rather, it melded seamlessly with the visual part of the show. The show started with the chrome half-sphere. Several bare light bulbs flashed around it, reflecting against the chrome and casting our shadows back at us across the bare walls of the room. The sense of displacement was immediate as you watched your shadow and those of the spectators jump around the room in a sort of slow-motion stroboscopic effect. Then some of the girls and one guy, seemingly part of the audience, began to move around the room, posing in the light behind, in front or next to the spectators. This had the effect of making you very aware of your body, and theirs, as the performers often tried to squeeze between persons in the audience, or run quickly past. At this point, I started to try to analyze the structure of the performance, because I knew it was about dreaming, and I have been busy researching the subject myself, lately. I think I ‘got’ what Chris was trying to do at this point, as I could imagine myself lying in bed, preparing for sleep, becoming aware of the position my body is in, adjusting, my mind settling down, images of the day flashing through my head. This image was strengthened when the flashing lights were replaced by several beamers projecting black and white images of Chris, lying in bed, struggling to get to sleep. The round mirrors scattered parts of these images around the room, as your mind may scatter thoughts around the inside of your head. The images of Chris in bed were sometimes intersected by images of the glowing red numbers on the display of an alarm clock, showing the actual time right then.

After a while, the video images changed to show the view from the front of a train, in blurred slow-motion, a multitude of tracks spreading out in front of you, with a lot of switches to connect them and make a maze of possible routes to travel. I thought this was a brilliant metaphor for the anticipation of dreaming. Ahead the route is not yet laid out, but several switches together may take you anywhere. I feel this did not display a conscious state of the dreamer, but rather a mental process your brain goes through when consciousness gives way and the barriers separating reality and thought go down. One of the beamers showed the view from the back of this ‘train’, a track which was much straighter than the jumble of tracks in front. I think this represented the leaving behind of rational thought.

Now the dreaming truly began. I am sorry to say I cannot remember the exact order of imagery presented, but I think this is again a compliment to the performance, because I can never exactly remember the order in which I dream, either. I think the first images were those of black, wormlike insect, crawling over each other in a white bowl. Here I can remember the music; it was threatening and not very pleasant, combined with the images. The dancers were scattered around the room at this point, contorting like the worms in the video. This unpleasant experience gave way to an image of a woman standing in a shallow lake, with an umbrella in her hand. At one point she raises the umbrella, after which the ‘dream’ ends and makes way for another. Like all the other video images, the picture of the woman was shown from several angles among the beamers. To me, this represented the way in which you can replay events in your dream, and watch it from several angles at the same time, or how you can see an event from your own point of view but from outside yourself at the same time, projecting onto the screens of your mind. The repeating of shots across several screens reminded me of the circles in which your mind can travel, sometimes constricting itself into shorter and shorter loops if it is a bad, or feverish, dream.

Next came images of the floor of an empty industrial hall, with a white mattress on the concrete floor, surrounded by puddles of water. This came across as a cool, but tranquil place. The industrial atmosphere gave it a slightly disturbing aura, but I think it was the music that made it unthreatening, just curious. This segment represented the cross from one dream into another, the switching to another subconscious track, represented more by the feeling of an atmosphere (the slight sense of loss?), than by a visual story.

The next dream was of a paved garden, surrounded by head-high, abundantly growing green vines. Another woman/girl features here, maybe not the same, but similar enough to the umbrella holding woman in the lake to notice. The girl is ‘playing’ with a yellow and black butterfly, holding it in her hands, and releasing it. The camera follows the butterfly in a slow-motion flight through the garden. At one point, the butterfly is shown against a backdrop of a glass roof, like in a greenhouse, and the performers start talking nonsense to the audience, walking up to someone, speaking gibberish, then moving on. To me, this represented rational thought imposing itself on the dream, the outside trying to get in. Memories of people, some unpleasant, trying to interfere with a personal experience.

I can’t really remember clearly, but suddenly an intrusive alarm clock starts buzzing and chases away the dreams. The glowing red digital display is shown, a sharp contrast to the organic quality of the garden, showing an accurate time. At that point I was so engaged with the performance that it really felt like waking up, suddenly becoming aware that more than half an hour had passed. I think most people in the audience felt the same as we applauded the performers and dancers as the lights came on. Somehow I felt really cold and naked beneath that ugly yellow light, as if I was ripped from a warm safe place. Nevertheless, I felt it was a great experience.

The show had a great balance between imagery, sound and physical presence (the dancers, but also the space of the room itself). The experience still lingers in my mind, but like a real dream it slowly fades and melts away into my subconscious. I hope that after he has graduated, Chris will stay in Holland for a while so I can experience more of his performances.

chris sleeps ( 5 days to performance )

2007-06-25T01:39:00.001+02:00

intervalos de tiempos adquiridos
digestiones de profundidades inconscientes
como escribir
pedazos interconectados, recientes y duraderos
en espacios de invisible trascendencia

...

demo dream

2007-06-20T12:08:00.001+02:00

frozen girl in the lake
as an attempt to represent a personal dream
floating in the water, floating in the air
it doesn't rain, only inside

every.when / live media performance on my own dreams
amsterdam / 29th june

www.chierego.nl

.

to live a future today

2007-06-15T19:05:00.001+02:00

there is a pathway
we could not know
there is a shade of internal projections
beyond the beginning of ourselves

should I stay or should I go ?

...

2007-06-14T13:40:00.001+02:00

the light of the day

2007-06-13T02:16:00.000+02:00

rehearsal. collective synapsis.
17 days left.

chierego.nl

.

2007-06-10T14:51:00.001+02:00

he is nemo, and he is little

nemo is a boy, but could be also a girl

every night he has a mission : meet the princess in slumberland

but all the time, he suddenly wakes up
and has to start everything again

does he remember his mission in the morning ?

.

dutch weather > do it yourself

2007-06-08T21:06:00.001+02:00

because you never know
but still you want to plan

.

la vuelta

2007-06-06T22:11:00.000+02:00

...

el post 69

2007-04-26T02:25:00.000+02:00

the shape of the absence of light

2007-04-08T03:09:00.000+02:00

the site behind the time is called

2007-04-08T02:24:00.000+02:00

de como el espacio de transito se solidifica
en una experiencia permanente y habitable

un reducto con la forma del tiempo

2007-04-02T21:54:00.000+02:00

prototype

2007-04-01T23:18:00.000+02:00

for a one week workshop in interactive movie making, runned by chris hales
we made a prototype of a movie, which can be seen or heard partially
choosing with your hands what do you want to miss.
the international and transdisciplinary team for these three days experiment was formed by erika kiessner (canada) in charge of hands tracking with eyes-web, david hartono (indonesia) scripting in flash, and myself (chile) in video.

chris hales

erika and david

.

espejado

2007-04-01T01:13:00.000+02:00

solo para chile

2007-04-01T00:33:00.000+02:00

2007-03-26T19:27:00.000+02:00

performance without audience. hilversum, the netherlands, 2007.
todo es variable

maya

2007-03-24T23:52:00.000+01:00

me, you, everyone we know

2007-03-24T15:14:00.000+01:00

the neighbor. should I say my neighbor?
everyday he goes out in his bycicle, don't know where.
everytime he changes his jacket, sometimes even three times a day.
he has the grey and long, a yellow mountain coat, and a nice red jacket with silver buttons, psychedelic beatles like.

I'd like to talk him once. he is in my window. he is not transparent.

schematic approach

2007-03-23T02:00:00.000+01:00

2007-03-23T00:37:00.001+01:00

action without theory
theory without action

automático

2007-03-22T01:14:00.000+01:00

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'

everything did start here

2007-03-18T17:34:00.000+01:00

...

no desnudo y escaleras mecánicas de agua / non naked and mechanical water stairs

2007-03-17T01:21:00.001+01:00

photos: david hartono, indonesia

1307

2007-03-17T00:47:00.001+01:00

lifeisaperformance

2007-03-14T18:18:00.000+01:00

eat a plate of soup in the middle of a gallery

dance in the train station

scream about your past life

scream about your next life

count numbers loud

draw in a big and white wall

being record while brushing your teeth

brush your teeth with box gloves on

cry in the museum

cut your hair

cut other people’s hair, or ties

destroy an electric guitar, destroy a violin, destroy a piano

sit in front of a piano without playing

be naked, almost everywhere

write a poem in another language

speak in another language

walk blind in the streets

wake up in your bed, the bed on the beach

drink rain

just be elephant

have red kids

magnetismo inherente

2007-03-13T02:32:00.000+01:00

intra terrenas navegaciones
en espacios comprimidos
son suficientes para expandir
y conectar

instantáneos
mágicos
y poderosos
pedacitos
de usted

everywhere
anywhere
when I need them

un besito bella

The Loop

2007-03-08T16:07:00.000+01:00

this material was my visual contribution
to the installation crossing border 2006,
first half of the master,
hogeschool voor de kunsten utrecht, netherlands

***

http://www2.hku.nl/~christi2/loop%201.mov
http://www2.hku.nl/~christi2/loop%202.mov
http://www2.hku.nl/~christi2/loop%204.mov

ayer llovió todo el dia

2007-03-07T01:22:00.000+01:00

maar,
la bicicleta está articulada de tal manera que su estructura ósea es susceptible de modificaciones, ya sean éstas de corte natural, subjetivo o realista. Posee un sistema
anti-camuflaje mediante el cual se deconstruye de manera autodidacta, evitando que los elementos que la componen sean erradicados de su órbita. Dispone de pliegues, time-collage, invisibilidad selectiva y tres cambios.

Hoy llovió de nuevo. Pero se detuvo durante 10 minutos.

...

bosque experience

2007-03-04T04:04:00.000+01:00

http://www2.hku.nl/~christi2/test%20GIF33.gif

live brainstorming

2007-03-03T02:22:00.000+01:00

the seed of bukephalus

document (aire)

2007-02-20T19:25:00.000+01:00

un pedacito de casualidad

do I need to explain more?

2007-02-15T00:48:00.000+01:00

suddenly, el principe feliz, la vendedora de cerillas,
la golondrina que nunca volo a egipto,
el escritor, el frio y un corazon de plomo.

the world is too small for walls

2007-02-15T00:30:00.000+01:00

familia
es un rincón prísmico
de la propia existencia

confianzas

2007-02-15T00:12:00.000+01:00

con estos versos no haras la revolucion
ni con miles de versos haras la revolucion, dicen
tu te sientas a la mesa
y escribes

nieve

2007-02-09T02:08:00.000+01:00

what else can you say, technology and emotions?

well, it's true, now I want to live in berlin

2007-02-06T16:39:00.000+01:00

porque si,
porque esta en construccion permanente
un caos inhabitado de experiencias explorativas
en las que extrañamente me siento seguro,
abierto y dispuesto
solo
entre gigantescas avenidas que albergan silencios convexos,
pliegues fructificadores,
maquinarias organicas hechas de transito

un abrazo muy grande a victor,
un completo detractor de toda la parafernalia tecnologica
y en especial los blogs.
(ahora estas en uno, man)

dear berlin

2007-02-06T01:39:00.000+01:00

small preview

2007-01-26T02:15:00.000+01:00

do you believe me?

2007-01-23T15:16:00.000+01:00

there is a little princess crossing the ocean

2007-01-21T18:12:00.000+01:00

stay indoors !

2007-01-18T22:20:00.000+01:00

instruccion publica en netherlands, after la ultima storm, una de las biggest in the last tiempo.

about 50 estudiantes de mi school deberan dormir en la misma, after cenar como refugiados en la kantine con generosas dosis de cerveza. no trains, no buses.

a quien se le ocurre ir a la playa

frames per life (not even an extract)

2007-01-16T19:41:00.000+01:00

nothing more than a little hypertextual experiment
( frames per life )

schooma (crossing fingers)

2007-01-16T19:24:00.000+01:00

schooma o bosque en macedonio,
es un proyecto, una idea,
una semilla de lluvia en busca de inspiracion.

los mantendre informados....

la mitad de la mision cumplida

2007-01-16T17:56:00.000+01:00

luego de cuatro meses de trabajo, el proyecto grupal, primera etapa del master, llega a su fin.el ultimo paso fue la creacion de un dvd con los mejores momentos del festival crossing border 2006. el soporte fisico del dvd es una caja da carton atravesada por una flecha. en la parte superior esta el logo del festival y una advertencia: handle with care, live animal inside. muy poetico, muy artesanal.

>

2007-01-14T01:12:00.001+01:00

london, no apto para turistas empedernidos

drunk, but still imperial

2 people stabbed on new year's celebration
still first world

the light is my non physical guidance

2006-12-27T15:19:00.000+01:00

tomorrow afternoon I'll go to London for the first time

the stars are gathered at my own pathway

noches de solsticios de invierno

2006-12-21T03:11:00.000+01:00

anoche estaba trabajando en mi habitacion
(last night I was working in my room)

de pronto siento una pequena pulsacion luminosa
(suddenly, i feel a little luminous pulsation)

una serie de voces y gritos contenidos,
(a serie of voices and contained screams)

las cosas parecian no estar mas en su lugar.
(the things seemed to be out of place.)

luego, solo mirar impavido, sin siquiera poder registrar...
(afterwards, just look stunned, without being able to register...)

...lo que alli ocurria...
(...what was happening there...)

de goma

2006-12-21T00:32:00.000+01:00

tuve una sesion fotografica con la mujer de goma
una chica docil y de facil trato,
pero a no confundirse
con sus elasticos modos de convivencia

2006-12-17T17:15:00.000+01:00

asi como en los picapiedras , los bufalos mojados habitan una hermosa llanura boscosa a escasos quince minutos en bici de mi casa.
se ven mansos y amistosos, pero supimos de dos personas que terminaron en el hospital debido a sendas cornadas.
como casi todo aqui en The netherlands, estos bufalos estan clasificados y debidamente protegidos.
nada es completamente salvaje.
zonas de bufalos, zonas de humanos, zonas de viajantes intermedios.

kaput

2006-12-11T12:58:00.000+01:00

por primera vez, ayer me dieron ganas de estar en chile, aunque sea solo por algunas horas, ganas de agarrar camara y salir en busca de las viejas pinochetistas y que me gritaran comunista de mierda, perseguir guanacos, huir de los zorrillos, escuchar la innumerable cantidad de obviedades por minuto en los noticieros, periodistas chillones en traje, corbata y relucientes mascarillas: "es muy dificil trabajar aqui...", "la situacion es realmente complicada...", o peor aun, "...una cita con la historia...."
un testigo de jehova comentaba en LUN hace una semana que el dictador moria un dia 11. erro por un dia. erraron por unos centimetros el 86 en el cajon del maipo. sin esos centimetros, quiza anoche hubiera sido otra noche mas en el frio invierno holandes, sin embargo estuve despierto hasta las 4 am viendo la senal online del canal 13. chateando con gente de chile y otros chilenos en europa. viendo portadas del mundo acerca de nuestra mas famosa exportacion no tradicional. por que nos sentimos orgullosos de salir en Al jazeera?

el caballero (R) murio sin juicio, sin pena y sin gloria.
cuando naci ya era dictador.
cuando murio, yo no estoy en mi pais.
quisiera haber estado, solo por un dia.

2006-12-08T04:07:00.000+01:00

; ]

2006-12-08T03:53:00.000+01:00

paralelo de curvas. filling empties leaves. becoming reasons de cuando y por que.

mi primera bici

2006-12-08T02:22:00.000+01:00

es muy emocionante
verde, llena de onda
asiento de cuero y por eso la bolsa
un poco alto por el momento
debido a la ausencia de llave inglesa

since now, i'm prepared to hit the streets properly

editing

2006-12-07T14:11:00.000+01:00

la parte final del proyecto grupal
consiste en la elaboracion de un DVD con los mejores momentos del festival
a mi me toca editar el material de la primera noche
predominantemente hip hop holandes
todo bien...

what are they looking at?

2006-11-28T01:27:00.000+01:00

resulta curioso la variedad de reacciones ante el mismo estimulo visual:
extraneza, asombro, curiosidad, miedo, risa, dolor, asco, sensacion de vacio, dolor de estomago, inevitable atraccion, morbo, placer, incertidumbre, bendita sea la no indiferencia

...
las personas de la fotografia estan frente a un cadaver recien asesinado.

2006-11-28T01:14:00.000+01:00

Love a person, don't film him;
hate him, don't film him.
Film him if you love and hate him at the same time,
and if you don't know,
follow him and be ready to film.

kossakovsky.

this little orange feeling

2006-11-27T01:18:00.000+01:00

there is some things
crossing through the spirit
next landscapes of ourselves
and we're going for them
no matter what

picture of the night

2006-11-23T15:19:00.000+01:00

picture of the day

2006-11-21T23:08:00.000+01:00

sometimes,
is better not to do the dishes

als je blijft

2006-11-21T01:04:00.000+01:00

installing tentacles installations
as
several pieces
of your own imagination.

the monster starts to breath (time is coming)

2006-11-14T00:36:00.000+01:00

simplemente
que no hay mas tiempo para detalles
la obra debe salir del taller
hacia el blanco y clinico edificio
14 de noviembre:
ensamble final de pantallas
animacion final videos y grafica interactiva
camion a las 4 pm, transportando a La Haya

esta noche el monstruo duerme solo

la mesa

2006-11-14T00:33:00.000+01:00

work in progress

2006-11-08T01:10:00.000+01:00

dutch schaar

plaster, faster

2006-11-08T00:49:00.000+01:00

transformacion de una idea en realidad
tiempo limite
el 15 de noviembre es la linea de muerte

alguien conoce a la mujer de picasso?

http://www.crossingborder.nl/

2006-11-01T02:40:00.000+01:00

de como la cosa nano es igual a la inconmensurable

9 grados celsius dice el reloj digital sin sentir el viento

2006-11-01T01:26:00.000+01:00

2006-10-31T22:44:00.000+01:00

saber,
o en ciertas circunstancias siquiera intuir el sentido
de los recuadros que remarcan lo imposible
y gestionan el futuro
emocionan de saberse conquistados
sabores ajenos
involucran y funden los segmentos
crujen las mariposas
autoexiliadas del estomago
queridas y anheladas y frias como el hielo menos invisible

o al menos,
poder

2006-10-30T00:52:00.000+01:00

transferencia

2006-10-29T23:42:00.000+01:00

2006-10-28T04:25:00.000+02:00

hoge naarderweg 131 A, 1217 AD, hilversum, the netherlands

mi & lu

2006-10-25T22:02:00.000+02:00

undostresprobandotransmision,atentoundostres

2006-10-25T21:53:00.000+02:00

esto es
una especie de pequena ventana de comunicacion circulo espacio temporal.
no tengo acentos ni enes
ni siquiera puedo escribir correctamente la palabra ene,
que en realidad es solo una letra,
que sirve para comenzar a hablar de un nandu o una cana,
una pinata, las mananas, las ninas o la pequena.

la Ch aqui suena como la ge,
pero profunda, muy marcada, like gjgjg
entonces chile seria algo asi como Gjile.

amodomio al habla

// crossing border video installation

2006-10-25T20:48:00.000+02:00

en la primera fase del master, fuimos comisionados como grupo para realizar una video instalacion en el city hall de La Haya, con ocasion del festival de musica y literatura crossing border. la propuesta es crear una especie de realidad paralela, una creatura organica proveniente de otro mundo , a traves de la cual se puede observar un universo alternativo de musica y poesia, contrastando asi con la rigida, blanca y clinica arquitectura del edificio. este monstruo contiene pantallas de diferentes tamanos, tres grandes que gatillaran la interaccion en el publico y siete pequenas con loops organicos, ventanitas alienigenas.